Lucia di Simone Robbia
Sculptor, b. at Florence, 1400; d. 1481. He is believed to have studied design with a goldsmith, and then to have worked in marble and bronze under Ghiberti. He was early invited to execute sculptures for the Cathedral of S. Maria del Fiore and the Campanile. The latter_representing Philosophy, Arithmetic, Grammar, Orpheus, and Tubalcain (1437)&395;are still somewhat Gothic in character. For the organ-gallery of the cathedral he made the famous panels of the Cantorie , groups of boys singing and playing upon musical instruments (1431-8), now in the Museo del Duomo. For the north sacristy he made a bronze door; figures of angels bearing candles and a fine glazed earthenware relief of Christ rising from the tomb over the entrance are also his execution. Above the entrance to the southern sacristy he made the Ascension almost entirely in his new ware. The medium was not unknown, but by dint of experimenting he brought his material to great perfection. He colours are brilliant, fresh, and beautiful in quality, the blue especially being quite inimitable. The stanniferous glaze, or enamel, contained various minerals and was Luca's own secret; in the firing, it became exceedingly hard, durable, and bright. Luca's design is generally an architectural setting with a very few figures, or half figures, and rich borders of fruits and flowers. He excels in simplicity and loveliness of composition. His madonnas have great charm, dignity, and grace. In the earlier productions colour is used only for the background, for the stems and leaves of lilies, and the eyes; an occasional touch of gold is added in coronal or lettering. Later, Luca used colour more freely. The Della Robbia earthenwares are so fresh and beautiful and so decorative that even in Luca's time there were immediately in great request. They are seen at their best in Florence. A few of the principal ones are: the crucifix at S. Miniato and the ceiling of the chapel in which it is found; the medallions of the vault (centre, the Holy Ghost ; corners, the Virtues ) in the chapel of Cardinal Jacopo of Portugal, also at S. Miniato; the decorations of the Pazzi chapel at Sta. Croce; the armorial bearings of the Arti at Or San Michele; the Madonna of the Apple, and a number of equally fine reliefs. Of his works outside Florence may be mentioned: the Madonna at Urbino ; the tabernacle at Impruneta, the vault angels of S. Giobbe, Venice (sometimes said to be by the school only); medallions of Justice and Temperance, Museum of Cluny, Paris ; arms of Réné d'Anjou, London, South Kensington Museum, and other works in Naples, Sicily, and elsewhere. The admirable and much disputed group of the Visitation at S. Giovanni Fuorcivitas, Pistoia, is attributed both to Luca and Andrea.
More Catholic Encyclopedia
Browse Encyclopedia by Alphabet
The Catholic Encyclopedia is the most comprehensive resource on Catholic teaching, history, and information ever gathered in all of human history. This easy-to-search online version was originally printed in fifteen hardcopy volumes.
Designed to present its readers with the full body of Catholic teaching, the Encyclopedia contains not only precise statements of what the Church has defined, but also an impartial record of different views of acknowledged authority on all disputed questions, national, political or factional. In the determination of the truth the most recent and acknowledged scientific methods are employed, and the results of the latest research in theology, philosophy, history, apologetics, archaeology, and other sciences are given careful consideration.
No one who is interested in human history, past and present, can ignore the Catholic Church, either as an institution which has been the central figure in the civilized world for nearly two thousand years, decisively affecting its destinies, religious, literary, scientific, social and political, or as an existing power whose influence and activity extend to every part of the globe. In the past century the Church has grown both extensively and intensively among English-speaking peoples. Their living interests demand that they should have the means of informing themselves about this vast institution, which, whether they are Catholics or not, affects their fortunes and their destiny.
Browse the Catholic Encyclopedia by Topic
Copyright © Catholic Encyclopedia. Robert Appleton Company New York, NY. Volume 1: 1907; Volume 2: 1907; Volume 3: 1908; Volume 4: 1908; Volume 5: 1909; Volume 6: 1909; Volume 7: 1910; Volume 8: 1910; Volume 9: 1910; Volume 10: 1911; Volume 11: - 1911; Volume 12: - 1911; Volume 13: - 1912; Volume 14: 1912; Volume 15: 1912
Catholic Online Catholic Encyclopedia Digital version Compiled and Copyright © Catholic Online