WILMINGTON, Del. (The Dialog) - This year’s premiere of “The Da Vinci Code” wasn’t the first time Mary Magdalene caused a pop-culture tizzy. In 1971, “Jesus Christ Superstar” opened on Broadway amid protests because a song voiced by the show’s
Magdalene sparked controversy.
Ted Neeley, who plays Jesus in the revival of the musical playing at
the DuPont Theatre in Wilmington, Del., Oct. 27-29, was in the original
New York cast and remembers the uproar.
“I Don’t Know How to Love Him,” a hit from the rock opera album
released by Andrew Lloyd Webber and Tim Rice before their show was ever
staged, infuriated people who believed “Jesus Christ Superstar”
depicted a physical relationship between Christ and his friend.
“Broadway was picketed and New York thought we were going to destroy
the culture there,” Neeley recalled in mid-October, 35 years to the day
from the anniversary of opening night. Interviewed by phone by The
Dialog, the Wilmington diocesan newspaper, from New London, Ontario,
where the show was playing, Neeley said “I Don’t Know How to Love Him”
triggered different interpretations of the word “love,” but he said
nowhere in the show is it suggested that Christ’s and Mary’s
relationship “is anything other than a friend to a friend.”
Neeley, now 63, didn’t play the title character on opening night 35
years ago; he was credited as “reporter/leper/Jesus Christ understudy.”
But his decades-long relationship to the musical includes playing
Christ in the 1973 film version directed by Norman Jewison. He reprised
the role in a theater revival that toured from 1992-97. The current
“farewell tour” is a new production that’s been on the road for nearly
three months.
The difference over 35 years in audience perception is that “since
then, this show has become a blueprint for teaching the religious ethic
of Christ,” Neeley said.
“I just talked to people in Abilene, Texas, who are attending a
seminary in Dallas-Fort Worth, Texas, and they feel the show broadens the scope
of teaching religion to children.”
Occasionally, Neeley said, the show plays in places - such as in the
Southern Bible Belt - where “people feel we’re doing things we
shouldn’t do.”
That’s because Christ in the show is depicted through the perspective
of the people around him - Judas Iscariot, Mary Magdalene, Pontius
Pilate, Caiaphas, Annas -who see a man before them, not the Son of
God.
The human nature of Jesus wasn’t part of Neeley’s Southern Baptist
upbringing, he said. “I grew up embracing the Bible; the Bible to me
was the most important book. I was constantly involved in all aspects
of the church, and finding out the idea of Jesus as man was very
confusing to me.” But looking into the nature of Jesus as a man
“embellished my respect and belief for Jesus as the son of God.”
Neeley said he now sees Christ as fully God and fully human, a belief
Catholics share.
The actor doesn’t see himself as Southern Baptist now.
“I’m pretty much part of a universal religious experience,” Neeley
said. “I’ve been to pretty much every kind of church there is because
of this show.”
Neeley believes the movie version of “Jesus Christ Superstar” accounts
for the longstanding popularity of the stage production. The show
“touches everybody,” he said. “No matter how religious or nonreligious
you think you are, you walk away with tears in your eyes.”
Before walking away, audience members often visit with Neeley
backstage. “I am the most embraced and hugged human being on the face
of the Earth,” he said with a laugh. Nearly every night, fans backstage
will talk about their faith “until 3 o’clock in the morning.”
“I am still overwhelmed by the experience,” Neeley said. “Here I am, a
rock-and-roll drummer from Ranger, Texas, who was cast because he could
hit the high notes. I’m the grateful recipient of this magnificent
experience that has enriched my life.”